Alana's childhood came as rural Western Canada was undergoing a significant
makeover, from a pastoral setting into corporate farm Canada. Kelwood,
with a population of 300, was no longer a bustling farming community.
The railway, along with the grain elevators, had been removed and the
main highway had been rebuilt a mile to the west. So most businesses
had closed. It had a general store (with a post office), one garage,
one cafe, a school, a skating rink, a community centre, and Canadian
Legion Hall.
After
attending kindergarten in Kelwood, Alana was educated at home with her
older sister Nadia, and younger brother Matthew.
"Our
parents wanted to have more influence over our development," she
recalls. "They felt strongly that we should be able to explore the
natural strengths and interests we possessed without the pressures that
exist in educational facilities. While my peers were cramming for a science
test they'd likely forget the day afterwards, I was able to ride Arabian
horses through the Riding Mountains, naming trees, birds, wildlife and
plants.
"If
I finished my academics in the morning, I got to put my attention toward
my passions in the afternoon. My passions were literature, acting, and
music. When I was 10, my parents built a stage in my room. It had curtains
that could close just like in a real theatre. My friends and siblings
and I would put on theatrical shows. We invited neighbours, and sometimes
charged admission."
One
of the remaining venues in Kelwood was the skating rink. From age three
until she left home, skating was a central part of Alana's life. "We
were one of the first clubs around to have a precision skating team,"
says Alana proudly.
Alana's
first involvement with music began at 9 until 13 performing in the gospel-styled
band Family & Friends in her parents living room each week. "My
musical influence as a young child consisted mostly of gospel music,"
she recalls. "I picked up a guitar when I was 12. I also took piano
lessons for many years."
By
14, Alana's musical tastes were diverse. She avidly listened to recordings
by Simon & Garfunkel, Bob Dylan, Joni Mitchell, Patsy Cline, Dolly
Parton, and Johnny Cash as well as the music of rockers Nirvana, Bruce
Springsteen, Neil Young, the Rolling Stones, and U2. "I can still
almost smell the incense I used to burn in my room as a teenager while
listening to such incredible talent," she says. "Most of my
heroes wrote songs in a very raw fashion."
At
15, Alana began entering and winning local talent contests, performing
mostly her own songs. Her first fully realized song was "Sailing
From Holland" about being a sailor. "It's a good song but I
was still developing my sound," she says.
At
17, Alana played off-and-on with 600 Bones, a Brandon, Manitoba group
that performed jazz, folk and worldbeat. By 2001, after living briefly
in Turkey, she was residing in Winnipeg and performing with Jamoeba, a
6-piece 'jam' band.
In
the interim since chopping off her dread-locked hair, Alana's reputation
has been bolstered by performing alongside Lindy, the Wyrd Sisters, Randy
Bachman, and the Arrogant Worms. She has also co-written with Canadian
folk matriarch Sylvia Tyson as well as Simon Wilcox, George Canyon, and
Colin Cripps.
She
was also hailed as "The 'It' Girl of Canadian Roots Music" by
CBC Radio host Bill Stunt. In his 2005 book "Made In Manitoba"
Winnipeg music historian John Einarson wrote: "Alana Levandoski's
name is dropped in the most exclusive music circles as the next major
singer/songwriter to emerge from Manitoba."
"Recording,
touring and learning how to deal with people in the industry-both record
company executives and musicians I work with-has been quite a learning
experience," she says. "Now, having people showing up to my
shows excited to hear me..well, that's pretty humbling."
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